One Hundred Demons

Wow. What a different comic book. I've absolutely loved reading this so far. Dave Eggers wrote on the back that this book is approaching "oeuvre", which is basically a fancy word for a work of art. I found it peculiar that he had to say that, because I would think most comic books should fall under the form. But at the same time, reading the comic I understand what he means. This feels much more like a piece of an artistic expression than just a simple comic book. What are you thoughts on that? Is this a work of art, alike to something you'd see in a Museum, or is this simply another graphic novel? Why or why not?

I love the playful style Lynda uses in this novel (it feels more appropriate to call her Lynda instead of Barry... I don't know why, just roll with it). It's all very crude as Chelsea said in her post. I for one really like it. A lot of it feels all over the place, especially when we see the different title pages and all the different backgrounds. What do you think is the significance of all the different title pages? How does she use the different images, words, and scribbles on each of those pages to represent these demons?

Speaking of the art, each of the pages is pretty sparse (intro aside (man those pages were crazy)). But each "demon" has a distinct color. Why do you think that is? How do the colors speak to what's going on in the chapter, or to the demons? I'm positive these colors didn't come about by chance. Why does she use them?

Lastly, her storytelling style is very intriguing. She almost has two different stories going along. We have the story told in the boxes, and the story told through the images. Obviously these two intertwine to tell one great big story, but she also sometimes seems to have different things going on in both. Do you think one trumps the other? How do they work together?

One Hundred Demons

     Like Fun Home, One Hundred Demons also tackles a wide variety of topics brought up in childhood memories. While Bechdel utilitized her journal, Barry uses the exercise of painting a hundred demons to guide us through her memories. She gives us vignettes of her childhood and adulthood (side note: I read while researching that it's rumored Ira Glass was the ex-boyfriend in "Head Lice/ My Worst Boyfriend"!).
     The shift from Fun Home into One Hundred Demons was also a little jarring because of the art iteself. Bechdel illustrated very realistic drawings using a cold color palette. Barry, by contrast, illustrates really crudely. Her figures are drawn in ways that are unrealistic (limbs in "Dancing" are contorted in strange ways), and the colors used are bright watercolors or markers.

The style of this comic uses up a lot of space for the narration blocks, while leaving tons of blank space above and below the panels:

The resulting look is chaotic and feels almost claustrophobic. Why do you think Barry chose this style? What does it convey about the themes she brings up in the text? Do you find the style effective?

Fun Home (second half)

The entire novel explores the strange relationship between Alison and her father. The second half explores this relationship somewhat differently than the first. The use of literary reference begins from page one with the first mention of Icarus. How does the author’s use of literary reference inform your understanding of the story? Did you like how it ended with Icarus once more?

Furthermore, the second half contains the longer portion of the narrative about Alison’s English classes and their discussions of his favorite books. How does this interaction between “intellectual companions” affect your understanding of their relationship? Think back to the moment when Joan comes to visit and comments on how close she and her father are. Why does the author spend so much time showing how close they could have been?

Emotional distance is a key theme in this narrative. Repression and isolation form the ties of their family relationships. Yet, the use of handwritten texts throughout the story tell us that they were still in contact through this more removed from of communication. The diaries, as well, the passages of highlighted text act as clues to the deeper relationships between family members. How do these “illustrated” texts (that is they are shown in the novel as handwritten letters or highlighted portions of printed text) inform your grasp on the complex family relationships in the novel?

A comics medium is very intimate and personal in this illustration style. Why do you think the author, who so obviously was very read and interested in literature and included immense amounts of literary allusion, choose to illustrate this narrative? How do you think you would have understood the story if it were prose?

Fun Home (105-End)

One of the very first thing that stuck out to me about Fun Home is Bechdel's comic style. She uses a style pretty grounded in realism, never really expressing through marks or abstraction, along with her use of a monochromatic color scheme of a green grey ink wash. This is quite different from our last couple of books with color like King, or American Born Chinese. How does this use of color affect our view of Fun Home? Was a good decision to allow color in a story of coming of age?

Along with that, after watching the YouTube video of her talk about Fun Home, Bechdel mentions her diary entries from inside Fun Home as her first draft of the book. Did you make a similar connection between the book and the diary? Also within the diary how did she begin to experiment with the idea of image and text interacting? How did this effect our perception of her diary and thoughts?

Lastly over all what did you think of the book as a whole? What did you think of the non-linear format? Do you think she accomplished her goals of telling her coming of age story through the  death and memories of her father?

Reading and discussion by graphic artist Alison Bechdel

I found this video and found that it was truly interesting to watch. It is kinda of long, but I hope that by sharing this you find some ideas to think about that maybe we haven't talked about yet in the blogs. (The first ten minutes of the video is an intro by professors.)

Final Paper Instructions

Your final papers, due December 11th via email, should be somewhat more complex and research-heavy than your midterm papers. I also ask that the papers be 10-12 pages.

For this paper, I do not ask you to respond to a prompt, but instead to choose and explore a topic of particular interest to you. That means that you can look at a text or issue addressed in class that you DIDN'T explore in your midterm or transcend the boundaries of the class to focus on comics or issues in comics about which you are passionate.  I am more than happy to respond to ideas for papers and/ or provide you with a series of possible prompts if you like. However, you do have freedom to pursue what you choose.

As for finding research, I'd like you to include approximately three sources to enrich your argument (these might include peer-reviewed articles, books on comics lit or theory, or interviews with authors). I am also happy to help you find appropriate research for your chosen topic. By now, you should all have received your midterms with comments. I am happy to discuss them with you and help you figure out how to integrate my comments into final papers. Overall, I was TRULY impressed by the caliber of your work!

Questions on Fun Home (1-105)

Fun Home is a tragic comic that explores the coming of age story of the author Alison Bechdel and her struggle to come to grips with her sexuality. The novel starts with what must be her first memory of her father. The graphic novel covers many issues within queer theory, self discovery , and self identity. There are a few scenes and elements of the story that stuck out to me that I thought would be good discussion points for this blog.                

                                                                                 

The scene above from page 15 depicts a glimpse at Alison and her father's struggle to conform to the gender roles assigned to their sex. There are many of examples of this throughout the book. Is Alison trying to make a case that all homosexuals prefer roles of the opposite sex? For instance, does a gay man have to have feminine traits, and does a women have to have masculine traits in order to be gay?

The scene above is on page 58. Alison's mother uses the fact that the father was molested when he was young to explain his homosexual tendencies. Is this a valid argument? Why or why not?

Alison includes many boxes to describe things in the environment. Do you find this helpful in your reading? Or is it a distraction? Discuss.