Like Fun Home, One Hundred Demons also tackles a wide variety of topics brought up in childhood memories. While Bechdel utilitized her journal, Barry uses the exercise of painting a hundred demons to guide us through her memories. She gives us vignettes of her childhood and adulthood (side note: I read while researching that it's rumored Ira Glass was the ex-boyfriend in "Head Lice/ My Worst Boyfriend"!).
The shift from Fun Home into One Hundred Demons was also a little jarring because of the art iteself. Bechdel illustrated very realistic drawings using a cold color palette. Barry, by contrast, illustrates really crudely. Her figures are drawn in ways that are unrealistic (limbs in "Dancing" are contorted in strange ways), and the colors used are bright watercolors or markers.
The style of this comic uses up a lot of space for the narration blocks, while leaving tons of blank space above and below the panels:
The resulting look is chaotic and feels almost claustrophobic. Why do you think Barry chose this style? What does it convey about the themes she brings up in the text? Do you find the style effective?
Wednesday, November 19, 2014
Monday, November 17, 2014
Fun Home (second half)
The entire novel explores the strange relationship between Alison and her father. The second half explores this relationship somewhat differently than the first. The use of literary reference begins from page one with the first mention of Icarus. How does the author’s use of literary reference inform your understanding of the story? Did you like how it ended with Icarus once more?
Furthermore, the second half contains the longer portion of
the narrative about Alison’s English classes and their discussions of his
favorite books. How does this interaction between “intellectual companions”
affect your understanding of their relationship? Think back to the moment when
Joan comes to visit and comments on how close she and her father are. Why does
the author spend so much time showing how close they could have been?
Emotional distance is a key theme in this narrative.
Repression and isolation form the ties of their family relationships. Yet, the
use of handwritten texts throughout the story tell us that they were still in
contact through this more removed from of communication. The diaries, as well, the
passages of highlighted text act as clues to the deeper relationships between
family members. How do these “illustrated” texts (that is they are shown in the
novel as handwritten letters or highlighted portions of printed text) inform
your grasp on the complex family relationships in the novel?
A comics medium is very intimate and personal in this
illustration style. Why do you think the author, who so obviously was very read
and interested in literature and included immense amounts of literary allusion,
choose to illustrate this narrative? How do you think you would have understood
the story if it were prose?
Fun Home (105-End)
One of the very first thing that stuck out to me about Fun Home is Bechdel's comic style. She uses a style pretty grounded in realism, never really expressing through marks or abstraction, along with her use of a monochromatic color scheme of a green grey ink wash. This is quite different from our last couple of books with color like King, or American Born Chinese. How does this use of color affect our view of Fun Home? Was a good decision to allow color in a story of coming of age?
Along with that, after watching the YouTube video of her talk about Fun Home, Bechdel mentions her diary entries from inside Fun Home as her first draft of the book. Did you make a similar connection between the book and the diary? Also within the diary how did she begin to experiment with the idea of image and text interacting? How did this effect our perception of her diary and thoughts?
Lastly over all what did you think of the book as a whole? What did you think of the non-linear format? Do you think she accomplished her goals of telling her coming of age story through the death and memories of her father?
Along with that, after watching the YouTube video of her talk about Fun Home, Bechdel mentions her diary entries from inside Fun Home as her first draft of the book. Did you make a similar connection between the book and the diary? Also within the diary how did she begin to experiment with the idea of image and text interacting? How did this effect our perception of her diary and thoughts?
Lastly over all what did you think of the book as a whole? What did you think of the non-linear format? Do you think she accomplished her goals of telling her coming of age story through the death and memories of her father?
Friday, November 14, 2014
Reading and discussion by graphic artist Alison Bechdel
I found this video and found that it was truly interesting to watch. It is kinda of long, but I hope that by sharing this you find some ideas to think about that maybe we haven't talked about yet in the blogs. (The first ten minutes of the video is an intro by professors.)
Thursday, November 13, 2014
Final Paper Instructions
Your final papers, due December 11th via email, should be somewhat more complex and research-heavy than your midterm papers. I also ask that the papers be 10-12 pages.
For this paper, I do not ask you to respond to a prompt, but instead to choose and explore a topic of particular interest to you. That means that you can look at a text or issue addressed in class that you DIDN'T explore in your midterm or transcend the boundaries of the class to focus on comics or issues in comics about which you are passionate. I am more than happy to respond to ideas for papers and/ or provide you with a series of possible prompts if you like. However, you do have freedom to pursue what you choose.
As for finding research, I'd like you to include approximately three sources to enrich your argument (these might include peer-reviewed articles, books on comics lit or theory, or interviews with authors). I am also happy to help you find appropriate research for your chosen topic. By now, you should all have received your midterms with comments. I am happy to discuss them with you and help you figure out how to integrate my comments into final papers. Overall, I was TRULY impressed by the caliber of your work!
For this paper, I do not ask you to respond to a prompt, but instead to choose and explore a topic of particular interest to you. That means that you can look at a text or issue addressed in class that you DIDN'T explore in your midterm or transcend the boundaries of the class to focus on comics or issues in comics about which you are passionate. I am more than happy to respond to ideas for papers and/ or provide you with a series of possible prompts if you like. However, you do have freedom to pursue what you choose.
As for finding research, I'd like you to include approximately three sources to enrich your argument (these might include peer-reviewed articles, books on comics lit or theory, or interviews with authors). I am also happy to help you find appropriate research for your chosen topic. By now, you should all have received your midterms with comments. I am happy to discuss them with you and help you figure out how to integrate my comments into final papers. Overall, I was TRULY impressed by the caliber of your work!
Wednesday, November 12, 2014
Questions on Fun Home (1-105)
Fun Home is a tragic comic that explores the coming of age story of the author Alison Bechdel and her struggle to come to grips with her sexuality. The novel starts with what must be her first memory of her father. The graphic novel covers many issues within queer theory, self discovery , and self identity. There are a few scenes and elements of the story that stuck out to me that I thought would be good discussion points for this blog.
The scene above is on page 58. Alison's mother uses the fact that the father was molested when he was young to explain his homosexual tendencies. Is this a valid argument? Why or why not?
Alison includes many boxes to describe things in the environment. Do you find this helpful in your reading? Or is it a distraction? Discuss.
Alison Bechdel and Fun Home
Alison Bechdel's Fun Home: A Family Tragicomic was named one of Time
magazine's 10 best books of the year in 2006. Prior to the publication
of her graphic novel-cum-memoir, Bechdel was best known for her comic
strip, "Dykes to Watch Out For," which was syndicated in a number of
alternative publications throughout the country. In Fun Home,
Bechdel persists in exploring some of the themes she first examined in
her strips, particularly gender and sexual orientation, as well as the
trials and tribulations of a smart and witty young woman in America.
However, Bechdel's memoir is an even more personal and poignant
account--both of growing up gay and simply growing up. Bechdel's book asks us to
look at the future of contemporary American literature. Will the "great
American novel" be something other than a traditional novel? Have we
moved past the genre of the novel onto more hybrid literary forms, such
as the graphic memoirs of Spiegelman and Bechdel?
See below for resources on Bechdel:
Comics Journal interview
All About Women Festival interview
Book with great chapter about Bechdel
Announcement of MacArthus Genuis grant award
Dykes to Watch Out For strip
Musical version of Fun Home
Cvetkovich article on the queer archive in Fun Home
See below for resources on Bechdel:
Comics Journal interview
All About Women Festival interview
Book with great chapter about Bechdel
Announcement of MacArthus Genuis grant award
Dykes to Watch Out For strip
Musical version of Fun Home
Cvetkovich article on the queer archive in Fun Home
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